Non diegetic sound fills the empty space and lack of energy in the beginning of the clip, the noise is a constant mechanical churn that suggests their surroundings are somewhat industrial. As the sound continues to loop it is overlapped by dialogue which begins as the characters find interest in a drug. Almost immediately after the characters take drugs the use of editing begins simulating their high. The original shot which has not yet been disturbed is suddenly cut to a high angled shot panning up a building that is covered by a lens flare, a non diegetic voice begins to read a Catholic prayer as the editing interrupts by cutting back to the group in their same positions. The constant mechanical loop continues over both clips, merging them together and reminding the audience of when the scene began and that the characters have not changed. This disorientating use of editing continues until the dialogue from both clips carry on non diegetically over the opposite footage. This represents the peak of their high and how they are being transported into another state of mind due to the drugs. This transition in mental state is visually shown through the glare of the sun becoming so intense it emulates dying and seeing the light of heaven, this idea fits thematically with the ever present prayer reading.
Images and footage of religious symbols being tarnished then start to be quickly cut together as the prayer reading continues. A shot of a lady lying naked in the graveyard can be used to represent this idea of taking down religion as can be seen as a mockery. The camera lens is filthy and covered in foliage which brings ideas to mind of someone hiding in the bushes watching the woman lay bare. This partners with other clips such as a lady undressing in the graveyard and the fact that the group have chosen the graveyard as a location to do drugs, to bring together the overriding view that religion is not to be taken seriously, the promiscuous and illegal acts taking place in the clips are edited along side religious symbols like the crucifix showing how there are strong negative feelings towards religion that live in the narrative.
1969 when the film was released was a time of change and upheave, this same year the world saw the Manson murders, Woodstock festival and the Stonewall riots meaning that many, who drifted away from the norms and values of conventional society, welcomed this film with open arms. The taking down of religious symbols in the clip is just one aspect of the film that related to so many people who were looking to rebel from what was seen as 'good'. This meant that the films popularity was huge to it's cult fans as simply going to the cinema to see the film was a way of making a stand against society.
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